...the winter blues, that is.
This week has been such a downer after the nice weather we had there for a while. I was so confident that spring really had sprung and that we'd see no more white stuff on the ground, and BLAM! a couple inches have accumulated since yesterday.
It's really affected my mood. I want to work in the gardens, I want to go on more photography roadtrips, I just want to bask in the rays of the sun. Is that too much to ask? Humph. That's what I get for living in upstate New York, I know.
The rest of the week I will be finishing up getting ready for The Incredible Print Show in New Hampshire! Unfortunately, the frames I ordered were delayed and I won't see them until Friday. But, I guess in the meantime I can get the artwork made and ready to fit the frames, shipment out first thing on Monday! Whew! Frantic, but exciting. Not to mention I am really looking forward to my whirlwind trip to attend the opening there on May 1st. I will be back in town in time to present my artist workshop at the Castellani Art Museum on May 3rd!
I'll tell you a little about that. It's called Invisible Voices: Zines as Art and it will be part presentation/lecture and part workshop. In addition to a slide show and talk about what zines are and their surprisingly lengthy history, I will demonstrate how a zine is put together using various techniques, with the opportunity for YOU to get hands on—complete with a tour of my extensive personal zine library, which includes zines that I'ved collected since the early 1990s.
Q: What is a zine, anyway?
A: The zine – a self-published magazine that’s often published by an individual making use of cut and paste techniques and photocopies – has a long history, with its roots reaching back as far as Thomas Paine’s pamphlets of the Revolutionary War era, The Crisis and Common Sense, to the manifestos and pamphlets of the Dadaists and Surrealists in the early 20th century, to the music fanzines of 1970s punk rock and the Riot Grrrl and DIY movements of the 1990s and beyond.
The past few years have seen many zine publishers pushing the envelope with the form, transforming the humble photocopied pamphlet to an honest-to-god work of art. Along with the gain in popularity of book arts in general, zines can be an astounding alternative to more traditional art-making.
It's free to attend, though you should register an RSVP with Curator Michael J. Beam at 716-286-8286 or email firstname.lastname@example.org.
I guess it helps to keep your eyes ahead when you're feeling blue, especially when you have things to look forward to... and I sure do! While I am recuperating from this slump, let me show you something that I have dug out of my archives. Sticking with the blue theme...
Lora and Lana Didn't Have a Chance (detail), Silicone toray intaglio print, 2006