Collborations

Here are three of the collages my students and I made together in a round robin collage session the Saturday before last. Each person had twenty minutes with each collage, then passed it on to the next person. It was a very gratifying, fun way to work. Even the students enjoyed themselves! I did, too.

Collages by Amber (18), Topaz (15), Tyler (13), and me:

Post-weekend

It was an interesting weekend.

On Friday, I made it to a third "collecting" post on Poppytalk! Talk about a nice way to wrap up the week. It has geared me up to get back into the studio and maybe even update my poor, languishing Etsy shop. I'd like to generate some more interest in my work online, and make an active effort to sell more. Sadly, I've gotta pay the bills somehow. What better way than to sell the work I love to make?

Speaking of which, I sold this piece over the weekend to one of my online friends! She has been collecting my work over the past few years, and since this is one of my favorite recent collages, I am happy that it will be going to live with her.


U-Men, mixed media, 9" x 10.25", 2009

And I am thrilled that the same patron has renewed my Pro account over at Flickr, which means that you can once again see all my photos, including the ART Set. I hated not having access to everything, so this is just wonderful. It's like Christmas! So thank you, J.!

***

On Saturday, I taught my collage class again—just three more sessions to go! This time I had the three students work for twenty minutes on a collage, any subject matter, any size, etc. Then, they passed their collage to the nest student, who would then work on it for another 20 minutes, adding to it however they wish, on to the next, and so on until each collage was returned to its originator. (Actually, I ended up participating in this, too, since there were just three students.)

I must say, the collages turned out fantastic, way surpassing any expectations I had myself. I will take photos and post them here this coming Saturday to share with you. I really enjoy working with my little group of teenagers and it seems like they are really opening themselves up to the hands-on process of collage, too. Can you believe that none of them had ever tried it before?

Next week, we are moving onto digital collage (sadly, I think), but I am going to encourage them to mix and match between cut and paste techniques and scanning and digital manipulation. I'm sure they will come up with some cool ideas.

***

As for me, I want to gift myself with some much-needed studio time this week.

Autumn Color Week: Orange

First of all, I am thrilled that one of my GREEN paintings was included in a Poppytalk post yesterday! Thank you, Poppytalk, I am honored!

Today's color is ORANGE, and I have a few pieces to share. These are actually some of my favorite small works in the past few years. Orange is such a great color to work with.


Heart & Lungs, Knees & Toes, mixed media, 2009


Franco Nero, mixed media, 2009


Please, mixed media, 2004

Cigar bands redux

As promised, I have photos of the two latest cigar band pretties to show you! You can click on the images to view them much larger if you wish.

First up: Ed, Jed, and Marshall on a Sunny Day, 4.5" x 4, 2009.


This piece is dedicated to artist Jed Jackson (and will probably go to him). Three of the cigar bands that I used came directly from the men referred to in the title, who gave them to me outside on the patio of the Castellani Museum on the day of Jed's exhibition opening. And yes, it was a unseasonably beautiful, warm, sunny day.

And All the Ladies (CALM), 8" x 7", 2009.


I love how the word "CALM" is spelled out vertically among the cacophony of color and design in the rest of the piece. This truly developed organically. I was very glad to find that odd double band that had one totally blank area, torn away from a previous effort, I guess. How fortunate that it tore away totally retaining the gorgeous shape of the band! It reminded me of a cloud, which in turn inspired the pale blue sky-like area at the top, also a result of being unable to bear interfering with the line that was created by the topmost bands. It just all came together fortuitously, and I am quite pleased with the result.

I expect that I will squeeze out a few more of these before I run out of materials. The process of creating these is indeed calming, meditative, and just plain fun, to be honest. I don't know about you, but as an artist it is imperative that I have fun. Otherwise, why bother?

On with the Guayabera

Last night I got myself back into the studio because, really, it's been a long while since I haven't been making art for some specific reason, i.e. getting ready for an exhibition. So it was really nice for a change to be there and just really have fun with no constraints. (OK, I say constraints but really it's just a mental thing I have about having to do something and within certain parameters I've set for myself, it's really all good as long as I am in the studio.)

I decided to revisit the cigar band collage. The one piece that I have in the Castellani exhibition now was very popular (it was one of the works that sold, actually), not to mention that the collages are really fun to make, just totally different from what I normally do. It's definitely an exercise in free-wheeling and instinct. I don't yet have photos of the two I made last night, so in the meantime, I give you FLOP, which measures 5.5" x 8.75".



I'll post the new ones tomorrow.

A Rush and a Push

One of the things I don't like about myself (as an artist and otherwise) is that I often find myself making a grand last rush (and push) to get something out the door (figuratively and literally, I suppose). I might have the best intentions, mark up my calendar, rough out a schedule... but something always seems to happen that foils my best laid plans.

This time around getting ready to ship a big box of art to New Hampshire for The Incredible Print Show at Artstream Gallery, everything ended up taking longer than I expected, from the making of the work to the arrival of the frames and mats I ordered, to the wiring and labeling of things... and true to my nature, I kept putting it off this past weekend in favor of something, anything else; gardening, in this case, because I cannot WAIT any longer to get my hands in the dirt and I thought that the manual labor would inspire me.

So what should have been done the weekend before did not get done until the weekend after, i.e. this past weekend. By the time I had everything ready to go, all the good light had gone and I had little if any time to shoot decent photos of the work, which was probably the worst part. Big lesson learned for sure: be MORE than prepared, be MORE than ahead of time. Always. I don't know why it's taken me so long to figure this obvious fact out.

Anyway, here's the six little beauts that are headed, as I write this, to southeast New Hampshire. (I am totally cursing myself about the documentation. Seriously.)


(All above are 11" x 14" framed: The Early Bird Loses the Day; Highway to Hell; and U-Men.)


(All above are 5" x 7" framed: The Why and The Wherefore; Suddenly, I've Got That Old-Time Feeling; Can You Hear It?.

Rejection, Part 2

Breaking news as we receive it!

I just got an email from an artist residency program that I was pretty excited about. It was a rejection letter, alas, but it was a really great rejection letter.

The bulk of the email read:

I am sorry to let you know that we are unable to offer you a residency at **** this summer. We were very impressed with your work, but unfortunately can never accommodate as many artists as we would like to.

Best of luck to you in the coming months, and with your practice. We hope that you might find a way to come to **** sometime in the future and encourage you to apply again either for our upcoming fall program or for a future summer residency.

Aw! What a nice rejection. Well, I was planning to reapply anyway, if this happened. At least I know now that I have a sliver of a chance.

***

In other news, I now have a 4 or 5 month wait to get a rejection letter from THE big exhibition in town, a biennial. I just submitted my materials today and just... the wait. Torture me, it will. I want to think that I could be accepted this time, but I am steeling myself for the big R, if you must know. But I guess we'll see! Ah, the life of an artist.


Anything Could Happen, Mixed media, 7"x9", 2009.

Dear Ada

Ack! One of my very favorite art blogs, Dear Ada, made a post about my work! I am especially excited about this just because I love her taste in art -- I'm always learning about new artists (to me) who just blow me away. I'm just so honored to be included there. Thanks ever so much, Dear Ada!

(Yes, I know I sound incredibly juvenile in this post. I can't help it!)

Giving and getting

On Friday and Monday, I visited my old high school for the first time in over 20 years. I went because I had been invited by the current art teacher at the school (my art teacher from way back when retired a couple years ago and now works as a docent coordinator at a local museum). She asked if I would be willing to do something like a mini-residency with her students, and I gladly jumped at the chance. It was a blast! On Friday, my first day, I presented a Powerpoint slide show and talked about my work as well as how I arrived at where I am with my art today. Then, we all crowded around a table where I also showed them some smaller work that I was able to bring in to show them, as well as some of my design work, aka My Day Job. There were two separate classes, so I got to do all that twice. Suffice it to say that I was pretty zonked after that, especially considering I had to wake up at 5am to make it there in time.

(It was totally worth it, by the way.)

Yesterday was where I think everyone had the most fun. We began with me sort of demonstrating my techniques for reusing and recombobulating old work that was either just languishing in the corner for far too long, or work that I just never really liked that much to begin with. So, I started with a couple prints I made back in grad school and some other random pieces of ephemera and pages from type catalogs... and voila!

OK, well, it didn't happen that quickly and I told them it doesn't always. At that point the kids started working on their own creations and it was then that I really started having fun. It was so amazing to see how these young minds and hands went to work, totally unencumbered by rules or requirements... but, surprisingly enough, I think some of them had a hard time letting go a bit. And most of them certainly did NOT want to go cutting up their handiwork, even if it wasn't something they were very happy with. Hey, I remember what that was like...

Long story short, I had a great time and felt I was able to give something back to the school where I grew up and received so much support and encouragement. A big thank you goes to the teachers who invited and welcomed me into their classrooms: Mary Beth Zacher and Jude Kosinski.

Not to mention... all that creative activity really inspired me. By the end of the time I spent in classes, I walked away with two new works on paper myself!


Highway to Hell, mixed media, 2009


U-Men, Mixed media, 2009

News from the Trenches

February 1st quickly approaches, and my curator has been getting ready for my show, too. His latest request was for a title and a few choices for the image that will appear on the invitation. (Ooh! Invites! Exciting!) I am happy to announce the title for the exhibition will be Nothing Was about to Happen. Thanks to all my friends who weighed in on this important decision and gave me awesome feedback.

I have good news: I got a much better shot of my portrait from yesterday. Unfortunately, I have bad news, too: as I was coming back inside from taking its photo this morning, I slipped on some ice and dropped my camera on the driveway asphalt! Horrors! I am so sad about this. The one good thing is that I was able to retrieve the photos I took and get them on my computer so I could send 'em to the museum. Thankfully. Most thankfully. And I do have a backup camera that I lent indefinitely to my mom, but still. That's one waste of a fine camera. :(

So here, I will share the new and improved photo of the painting I have now titled Lady Godiva's Operation as well as a few small collages. Enjoy!


"Lady Godiva's Operation", Acrylic on canvas, 42" x 32"


"Don't Settle", Collage and acrylic on wood panel, 5.5" x 7.5"


"Insomnia", Collage and acrylic with woodcut print on paper, 8" x 11"


"Heart & Lungs, Knees & Toes", Collage and acrylic with linoleum print on paper, 5" x 12"